Darcy Prendergast

This week’s blog is going to celebrate the animation of Darcy Prendergast and his production company ‘Oh Yeah Wow’. There is quite an impressive backlog of work to be mentioned here; Darcy’s films include music videos for the likes of Gotye and Bombay Bicycle Club, and a short Nickelodeon series called ‘Critter Litter’ featuring a llama for a hero. These animated delights are usually stop-motion clay productions but Darcy has also produced some experimental ‘light-painting’ films such as Rippled in 2012 (see video).

Darcy Prendergast was also involved in the animation of critically acclaimed feature film Mary and Max back in 2009, but has since chosen to work independently with his own production company. ‘Oh Yeah Wow’, which he runs with a group of close friends. The team’s most recent film is for Wax Taylor and Aloe Blacc and follows ‘a crochet quadropus’ as he floats about turning the world blue.

http://ohyeahwow.com/work/

Darcy’s animation, whilst varying in technique, is recognisable for its darkly humorous, sometimes gothic, style. Darcy’s animal models, perhaps influenced by his father’s career as a zoo-keeper, are some of his most frequently occurring and most imaginative creations. There is a saturation of the colour blue in many of Darcy’s films which adds to the surreal atmosphere of both his animated and live-action films. ‘Oh Yeah Wow’ has also produced slick films for advertisements and music videos which are stylistically more formal. Whatever your animation preferences, Darcy Prendergast is one to watch.

https://vimeo.com/ohyeahwow

 

Beauty and Soul Brought to London: One to Watch: Kenzie May

Boston-born, yet Britain-bred, Kenzie May is one of London’s young talented musicians using her experiences in the city as both her backdrop and inspiration. With admirable amounts of experience under her belt, Kenzie’s beats are organic in that they flow freely,  consisting of tongue-in-cheek wordplay and fluid, honest lyrics.

With songs such as the raw, moving “Say Nothing” which is almost reminiscent of ballads of the early nineties, to the upcoming single “Hide & Seek”, her word play based on love, with the twist of childhood games, memories, and nursery rhymes are honest and right on point for the more literary, thinking crowd.

Moved by  art and creativity, the mesmerising Kenzie May is both beautiful and talented. Her writing style and composition are one of the most relevant pieces of work for someone so in touch with our generation. The rawness in her synthesized and digital sounds  break the mold from the forgettable radio releases we hear constantly.

Having collaborated with favourites and pros, such as Sub Focus in their tune “Falling Down” ad well as BeatauCue “Slow Down” and Bastille & F Stokes “Bad Blood”, Kenzie May is hard working and experimental with different techniques.

Writing in a flow which makes the surface of your skin chill, as well as your body to rock form side to side, is a rare talent which Kenzie May possesses, as each song is haunting in a way to lead to an afterthought and reflection – pop music for the thinking set, if you will.

 Kenzie’s single “Hide & Seek” produced by Jocke Åhlund of Teddybears, is set to have its video release by the end of the month, done by De La Muerte Films.

For some pop with honesty and edge, check out more on https://soundcloud.com/kenziemay or check out her most recent collaboration with FTSE, “Float” on Soundcloud.

http://soundcloud.com/ftse-1/float-ft-kenzie-may

 Images via: http://kenziemay.com

Follow Kenzie May on Tumblr and Twitter:

http://kenziemay.tumblr.com 

@kenziemayb