With his dark eyes, long hair and thick moustache and goatee, Virgil Howe is unmistakably the son of renowned guitarist Steve Howe (from Yes) and a child of the world of progressive rock. Immersed in his father’s world from a young age, it is only logical that he would start improvising some music notes on his Moog Synth at the age of 4. Today, after successively drumming for The Killer Meters, Little Barrie and Dirty Feel, Howe is based in London and is focusing on producing and releasing singles and mixtapes on Scenario Records – a major label in UK underground hip-hop music.
Browsing his Soundcloud, it is evident that his style has considerably changed in two years. His latest work is more mature and it seems that he is gradually defining himself in a unique musical style. His mixes are refreshingly new in a world where electro music essentially consists of adding a repetitive melody to vaguely sophisticated beats. The influence of different styles is very strong in his recent mixes, ranging from disco to electronic, through “bootyshakin” and “spacefunk”. He excels in taking songs that belong to a very specific genre of music and twisting them around to produce an entirely different sound. For example, Snoop Dogg’s, Drop It Like It’s Hot becomes Kiss It Like It’s Hot, as it is tastefully brightened up with lazy lounge beats and slow soul notes.
Virgil Howe has character and his music is reflective of that. His unusual focus on disco-funk and his massive use of unknown vocalists seem like bold moves in the ultra-competitive sphere of London music, but by giving personality to his songs certainly pays off. Ease Back Mama, Stolen Moments, Afroway: Howe is certainly successful in imposing rhythmic afro beats as his trademark and he says himself that he stands as “as spokesperson for the outer worlds”. Certainly his family background encouraged him to find a place in the world of music, but his increasing popularity can only be explained by the fact that his style is one step ahead.