I have to admit that I don’t often go to gigs, and when I do, it is usually because someone is dragging me there to see their favourite band; so when my friend invited me to see MØ (whom I had never heard of) perform at XOYO in London, I was quite skeptical, although excited – there is something deeply satisfying about someone wanting to show you something.

(Karen Marie Ørsted), a Danish singer whose tracks are synth-heavy electro-pop pieces of heaven, made a dynamic and energetic entrance that was hard to disregard, especially given the loud ovation she received from her fans. I have to admit I was extremely baffled at the maturity and texture of MØ’s tracks, which work on a staggeringly deep effect within you. Reminiscent of Grimes and Portishead, her songs have a kind of sonic texture that blend in perfectly with the sultry Lana del Rey-like vocals, only more seductive and vibrant.

The songs that stood out the most for me were ‘Pilgrim’, where the melody and pace was slower and reminiscient of mid-80s pop disco, as well as ‘Glass’ and ‘Waste of Time’, where MØ successfully shows us that the Scandinavians do, in fact, do it better than us in terms of new synth electro-pop. The videoclips for the aforementioned songs are artfully produced and made especially acute by the unflinching sharpness of MØ’s vocals.

On another note, someone has to give the Danish girl a few extra points for her stirring performance at the gig, where she went from jumping to dancing to walking into the crowd, all while delivering her tracks with her bandmates. I, for one, also give her extra points because she was cute, polite and genuinely seemed to enjoy what she was doing.

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