Dwyle Flonk Film

With a name as abstract as theirs, it comes as no surprise that the two man band behind ‘Dwyle Flonk Film’ embrace the weirdness on a personal, as well as professional, level. We caught up with Jack and Lysander to discuss their magical world.

The two met at Downside School in Somerset, where they bonded over many things, not least of which ‘being dark-haired’. Warp Films and Warp Records, as well as Ninja Tune artists, also figured in their friendship, and later became key players in the creative inspiration behind Dwyle Flonk. It really came about, Jack says, from ‘finding the darkest in humanity funny’. He explains that ‘Dwyle Flonking is an old English game where the aim is to hit a man with a beer soaked rag. DFF does that but with film, in some way’.

This celebration of the absurd is at the heart of the Dwyle Flonk ethos; each film plays upon the uncanny and the bizarre, all with a good added dose of humour. They largely work in shorts that ‘experiment with stereotypes through film, and the subversion of normal film tropes’, and are quick to point out that ‘there is a lightness of touch in our work, though what we deal with is dark’. The films are testament to this, and the rather glib sentiment that DF is ‘whimsical about death, decay, sexual perversion, and creepiness’ probably most straightforwardly sums them up.

Both have impressive and lengthy creative resumes; Jack has worked extensively in film and theatre in Cheltenham, Weston-Super-Mare, Bristol and Edinburgh, career pinnacles being ‘an explicit and violent version’ of Huis Clos by Jean-Paul Sartre, directing a sell-out revival of Jonathan Harvey’s ‘Beautiful Thing’, and acting for Warner Bros TV. He currently studies TV, Theatre and Film at the University of Bristol. Lysander began by staging a school producation of Jam by Chris Morris, a production that still haunts the vacuous halls of my own subconscious. His education is a mixed bag, having worked in photography, to running a pub, to the antiques trade; a CV with a ‘breadth of experience that helps inform a lot of our work’. The both have before worked with BBC Drama, and can be seen in a new adaptation of The Lady Vanishes which aired on 17 March 2013.

Their rise to dizzying heights has commenced, and there are many projects currently on the go at DF, including a collaborative work with photographers and composers on the theme of ‘the weird’; curating the South West’s newest short film festival – Jump Cut Film Festival, in collaboration with various other media groups, in May 2013; as well as several films, including Gin. Two Fingers. and a short film about the troubles of being a statue performer.

Currently based in Bristol, they can be contacted at dwyleflonk@gmail.com.

Info on Jump Cut Film Festival can be found here: www.jumpcutfestival.co.uk

Film: The Goodparent, entry into Virgin Media Shorts 2012.