There are few artists you can feel an emotional connection to from the offset, but on the rare occasion that an artist does reach through the canvas, magic ensues. Samuel Sultana is one such creative. Currently working on a collaborative artists commune-type project, he is clearly well liked and respected for the work he is doing.
A painter at heart, Sultana acknowledges that these kind of labels can be restrictive. Looking at his work, one sees few limitations: boundless colors and shapes that morph in front of your eyes, each painting tells a story. The strength of the work lies in the composition of the pieces. Sultana tells me that he now treats ‘art as philosophy’, and one certainly perceives the intellectual in each of his artworks.
I have no doubt that Sultana’s creative process would be of exceptional interest to observe. When your philosophy is that ‘it is essential to use everything. Everything is the arsenal’, the product will inevitably be of celestial proportions.
Relying on ‘chaos, intensities, and extremes’, his work is in league with the likes of Willem de Kooning, Rothko, and more recently, Bryan Lewis Saunders. The environment is paramount to the success of the artwork: hence the idea behind his current project. In a nod to the Romantic, ‘isolation, solitude, and obsession’ also compute.
The diverse range of artists Sultana is currently working with reflect a global spirit, bent on redefining and redesigning the creative landscape in Bristol, where the project is based. He says the creative platform will encompass all media, from ‘fine art to film, music, and theater’, offering a chance for young artists to network and build a support base from which to flourish.
Equipped with the creative holy trinity of vision, faith, and obsession, I have no doubt this is an artist of the future. To view more of Sultana’s work, go to his facebook page here or youtube. He can also be contacted by email at firstname.lastname@example.org.